Drop starts from polyrhythmic layers of drops. The short sounds develop into longer tones, and the listener is very slowly flooded by a stream of water noise.

This track is made from a few samples from a singing recording by Patch-contributor Eduard. Through algorithmic rules, it was decided which sample would play on what moment, and how much rest there was during the samples. Subsequently, a very long delay effect was added, which durations fluctuated according to other algorithmic rules.

Grainy Grannies is made up of a loop of one single short sample (or grain). Due to the extreme stretching of the sample and the use of different filters and effects, different textures are created that alternate and overlap.

Composer Eveline Vervliet is looking for new ways to connect music and art with contemporary developments like technological innovations and the climate crisis. For example, she makes sound art with waste and she immerses herself in the artistic possibilities of artificial intelligence. Her current topic of exploration is interactivity in all its possible ways as a musician, she regularly performs live electronics in new music. Eveline is a composer and performer, based in Belgium and The Netherlands, currently pursuing a bachelor’s degree in music composition at the Academy of Music and Performing Arts in Tilburg (NL) with Anthony Fiumara. Her compositions have been performed at several concert series and festivals such as Transit Festival (Leuven, BE), November Music (Den Bosch, NL) and De Link (Tilburg, NL). As a child, she took violin, piano and percussion lessons at her local music school. In 2016, she started bachelor studies in classical piano in Tilburg under the guidance of Nicolas Callot. However, due to unsolved physical complications, she has decided to quit the piano studies. Nevertheless, she keeps performing in various ways, for example as a player of samplers and live electronics in new music and as a performer in her own work.